Your memoir is about you (obviously) but it’s not just about you. In this episode we cover Judith Barrington’s chapter on how (and why) to bring events from the real world into your memoir. And in our writing exercise we try it out by remembering our own lives during a moment in history.

Then it’s on to the penultimate chapter in Writing the Memoir where Barrington has some writer self-care advice. Who can disagree about self care? Well…

Also in this episode Kim interviews a poet who left the Plain community about how she navigates revealing true details when writing about her experiences from that time.

Writing Workshop with Kim & ReneeWriting th Memoir Subscribe to our Newsletter The Writing Workshop Exercise Map your Novel according to Vogler’s The Hero Journey. For this week’s workshop episode, Renee wrote about the brief time she spent as a child in Pacific Grove, CA, taking care to identify specific streets and locations as recommended…

Judith Barrington’s Writing the MemoirChapter 8, 9, & Appendix Subscribe to our Newsletter Writing (and publishing) a memoir can be nerve wracking. What if the people you’re writing about don’t like your portrayal of them? What if they hate it? What if they decide to sue? In this episode we discuss the chapter (and appendix)…

Our Interview with Erik Harper Klass In this stand alone episode, we talk with Erik Klass, the entrepreneurial editor behind the submission service Submitit about what literary journals are looking for in short stories and creative non-fiction.  He also discusses how his company evaluates and chooses particular journals for their clients’ stories. Join us for…

Writing Workshop with Kim & ReneefromWriting the Memoir Subscribe to our Newsletter The Writing Workshop Exercise Find two or three short memoirs (short-story length as opposed to book length) and, for each one, create a time line. As you make the time line, list in your notebook the words or phrases the author uses to…

Memoirs are rarely straight chronological narratives, what with the musing we talked about last episode, and they almost always jump forwards and backwards in time. We discuss Judith Barrington take the mental Time Machine from her book Writing the Memoir, specifically the idea of the “Now” and how with a little signposting, readers can follow along. We also do a bit of grammar review (just a little) and how we use tenses in our own books.

Then it’s onto the nearly ubiquitous chapter that every writing craft book has on sensory detail. We cover the difference between concrete and abstract detail and the best practices for describing characters.

This week’s exercise is some text analysis where we pick apart a short memoir timeline. Time to get our literature geek on.