Every composition teacher will draw out a rising action graph on the board (yes, we’re old school). But how do you translate that diagram into the sentences and paragraphs that keep your readers engaged in your story?

In his book, Scene and Structure, Jack Bickham says to do it through structure (because of course he does), and gives seven different plot structures. Yes, dear listeners, we’re going through all of them, and, unlike Bickham, we give examples. Next we try to make sense of what is “backstory” and “hidden story” in a novel (or movie). And what about subplots? Everyone loves a good subplot, and we go over some tips on how to make them work in your novel.

But first up in the podcast, video game narratives! Find out what goes into the game that keeps you glued to the screen. We interview three professionals in the gaming industry on their approach to pacing.

Today we tackle Jack Bickham’s Common Scene Errors, and boy, are there a lot of them, 14 to be precise. According to Scene and Sequel, these simple problems will derail your scenes, rob them of their impact and drag down your novel. We go through each error, identifying if they’re a problem in our own writing and discuss Bickham’s solution.

What writer hasn’t dreamed of leaving behind the stress and obligations of their day-to-day lives for a quiet, secluded space where they can just write? This past October, we did just that, renting an Airbnb for five days and making real progress on our memoir and novel.   During those days we recorded several short conversations…

In this episode, Kim interviews award winning science fiction author, Charlie Jane Anders about her recently published craft book, Never Say You Can’t Survive!

After the interview, we take a break from our usual craft book analysis and writing exercise because…Kim and Renee went on a writing retreat! We abandoned our spouses, kids, and cats for five days to hole up in a secluded Airbnb. We discuss our expectations, preparations and what we managed to accomplish on our little adventure. Besides the entertainment value, we’re hoping our experiences will be useful and inspirational for when you plan your own get-this-damn-novel-written escape.

After 70 pages of Jack Bickham’s Scene and Structure we feel we’ve got a pretty good handle on how to break our stories down into action-packed, disaster-ending scenes and the more contemplative internal sequels that hold the book together. What we’ve had a harder time with is finding these scene-sequel sequences in the books we own.

So, what gives Bickham?

Apparently, there are multiple variations – in chapter nine, Bickham gives us ten options — to make one’s scene and sequel not so obvious. In this episode, we’ll go depth on two of these techniques: the scene-within-a-scene and imbedding a flashback within a sequel (which Renee then applies to section in her memoir.)

Chapter 8 – Scene & Structure Subscribe to our Newsletter How do you take a ponderous story into a page turner? How do you take a Michael Bay paced novel and make it about more than one disaster after the next? In this episode, we explain Jack Bickham’s techniques to speed up or slow down…

When you’re bored with action-packed scenes and want to dive deep into the mind of your protagonist, maybe you should try a Sequel. In today’s episode, we explore Bickham’s idea of sequel, its parts, and how it glues the scenes together. But we don’t just take Scene & Structure’s word for it, we go looking for sequels in several of our favorite books. Also, along the way, Renee has an existential crisis, but don’t worry, she gets better.

After last episode’s deep dive into scene structure, we thought we’d ask a few published novelists and professional editors if they use scene goals in their writing/editing.

Then, for our podcast proper, we move beyond the scene basics into more advance concerns, like does that disaster you carefully crafted have the proper scope, immediacy, finality, and does it steer your story in the right direction. But we still need to get that pig back home, and in Chapter 6, Bickham points out (with not one, but two numbered lists) other things that can go wrong with scenes, including not having enough “going wrong.”

If stories are made up of scenes, what are scenes made up of? According to Jack Bickham in his book, Scene & Structure, scenes start with a character’s stated goal and rumble through an evolving conflict until they reach … a disaster. In this episode, we examine each of these elements and test Bickham’s assertions using Real Book examples. Then, for true illumination, we Bickhamize our own scenes. But before we delve into the nitty gritty, we have a delightful interview with Susan Tunis of Bookshop West Portal.

This episode is all about cause and effect, what it is, why it is critical in fiction despite being largely absent in real life, and how it works line by line as stimulus and response. In chapter 3 of his book Scene & Structure, Jack Bickham has some hard rules about applying and ordering stimulus, internalization, and response. We examine our own writing to see if it follows the proscribed format.

And, as a bonus, we start the episode off with interviews we did at the San Francisco Writers Conference that we’re calling “Confessions of Craft Book Addicts.”