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The One Where We Go on a Writing Retreat

In this episode, Kim interviews award winning science fiction author, Charlie Jane Anders about her recently published craft book, Never Say You Can’t Survive!

After the interview, we take a break from our usual craft book analysis and writing exercise because…Kim and Renee went on a writing retreat! We abandoned our spouses, kids, and cats for five days to hole up in a secluded Airbnb. We discuss our expectations, preparations and what we managed to accomplish on our little adventure. Besides the entertainment value, we’re hoping our experiences will be useful and inspirational for when you plan your own get-this-damn-novel-written escape.

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Getting Wild with Scene and Sequels

After 70 pages of Jack Bickham’s Scene and Structure we feel we’ve got a pretty good handle on how to break our stories down into action-packed, disaster-ending scenes and the more contemplative internal sequels that hold the book together. What we’ve had a harder time with is finding these scene-sequel sequences in the books we own.

So, what gives Bickham?

Apparently, there are multiple variations – in chapter nine, Bickham gives us ten options — to make one’s scene and sequel not so obvious. In this episode, we’ll go depth on two of these techniques: the scene-within-a-scene and imbedding a flashback within a sequel (which Renee then applies to section in her memoir.)

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Speeding Up and Slowing Down your Novel

Chapter 8 – Scene & Structure Subscribe to our Newsletter How do you take a ponderous story into a page turner? How do you take a Michael Bay paced novel and make it about more than one disaster after the next? In this episode, we explain Jack Bickham’s techniques to speed up or slow down…

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Sequels: the Glue that Holds Scenes Together

When you’re bored with action-packed scenes and want to dive deep into the mind of your protagonist, maybe you should try a Sequel. In today’s episode, we explore Bickham’s idea of sequel, its parts, and how it glues the scenes together. But we don’t just take Scene & Structure’s word for it, we go looking for sequels in several of our favorite books. Also, along the way, Renee has an existential crisis, but don’t worry, she gets better.

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Tactical Disasters, Meaningful Change, and More Scene Rules. Oh, My!

After last episode’s deep dive into scene structure, we thought we’d ask a few published novelists and professional editors if they use scene goals in their writing/editing.

Then, for our podcast proper, we move beyond the scene basics into more advance concerns, like does that disaster you carefully crafted have the proper scope, immediacy, finality, and does it steer your story in the right direction. But we still need to get that pig back home, and in Chapter 6, Bickham points out (with not one, but two numbered lists) other things that can go wrong with scenes, including not having enough “going wrong.”

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Making a Scene

If stories are made up of scenes, what are scenes made up of? According to Jack Bickham in his book, Scene & Structure, scenes start with a character’s stated goal and rumble through an evolving conflict until they reach … a disaster. In this episode, we examine each of these elements and test Bickham’s assertions using Real Book examples. Then, for true illumination, we Bickhamize our own scenes. But before we delve into the nitty gritty, we have a delightful interview with Susan Tunis of Bookshop West Portal.

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The Cart Goes After the Horse – Getting Cause and Effect Right in your Story

This episode is all about cause and effect, what it is, why it is critical in fiction despite being largely absent in real life, and how it works line by line as stimulus and response. In chapter 3 of his book Scene & Structure, Jack Bickham has some hard rules about applying and ordering stimulus, internalization, and response. We examine our own writing to see if it follows the proscribed format.

And, as a bonus, we start the episode off with interviews we did at the San Francisco Writers Conference that we’re calling “Confessions of Craft Book Addicts.”

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Starting Your Book Off Right

In this podcast we give our first impressions of our new book, Jack Bickham’s Scene and Structure, and, being the enthusiast students that we are, we begin by identifying his central thesis. Then it’s onto Chapter 2, where we answer some novice novelist questions and discuss Bickham’s approach to a story’s first page. To further our understanding, Kim “Bickhamizes” the beginning of her new fantasy novel.

As a bonus, Renee has a special message for any former Border employees who worked the late-night Harry Potter release parties back in the 90’s.

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Auf Wiedersehen, Bradbury, and on to Scene & Structure

In this episode we bid a fond farewell to Bradbury with one last conversation about his book, Zen in the Art of Writing. We discuss what’s in the book, what it meant for us personally, and how readers can get the most out of this writing craft book. Lastly, we send off Bradbury with our favorite Zen quotes.

And then it’s on to Jack Bickham’s Scene and Structure. Renee gives a bit of context about the book and Kim interview Kristen Tate, an editor who reviewed the book on her website, The Blue Garett.

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Work! Relax! Don’t Think! No problem

In this episode we dive into the final chapter of Ray Bradbury’s Zen in the Art of Writing, titled: Zen in the Art of Writing. So what is Zen, anyway? With the help of the internet, we come up with some context.

Then it’s on to Bradbury’s three critical words to writer success:
WORK
RELAXATION
DON’T THINK
(okay, that’s four words)

We do our best to figure out what Bradbury meant and what those concepts could mean for our own writing. As a bonus, Renee reveals the not-so-secret way of getting an A in her creative writing classes.

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